1462-1521 Italian Piero di Cosimo Galleries Italian painter and draughtsman. Tax declarations made by Piero di Cosimo's father suggest that the artist was born in either 1461 or 1462. According to the first, he was eight years old in 1469, while a catasto (land registry declaration) of 1480 gives his age as 18. A document of 1457 establishes that his father, Lorenzo di Piero d'Antonio, was a maker of small tools (succhiellinaio) rather than a goldsmith, as Vasari claimed. By 1480 Piero appears no longer to have been living at the family house in the Via della Scala, Florence, but was an unsalaried apprentice or workshop assistant to Cosimo Rosselli, from whom he received room and board and eventually took the name of Piero di Cosimo.  Related Paintings of Piero di Cosimo :. | Perseus Frees Andromeda | The Adoration of the Christ Child | Mythos des Prometheus | Myth of Prometheus | Madonna mit Hl. Johannes dem Taufer, Tondo |
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Wilhelm von Schadow
German Romantic Painter, 1788-1862,Painter, teacher and writer, son of Johann Gottfried Schadow. He studied at the Berlin Akademie from 1805 and in 1806 showed paintings at the annual Akademie exhibition. Under his teacher, Friedrich Georg Weitsch, he quickly became a skilled portrait painter, and by 1810 he was commissioned to paint portraits of members of the Prussian royal family and of the Empress of Austria. Influenced by the English artist John Flaxman, Schadow developed an emphasis on outline. In 1810 Schadow went with his brother Ridolfo Schadow to Rome, where in 1813 he became a member of the Lukasbreder and, in 1814, a Catholic. In 1815-17 he took part, with Peter von Cornelius, Friedrich Overbeck and Philipp Veit, in the commission for frescoes of the Story of Joseph for a room in the Casa Bartholdy (now Berlin, Alte N.G.). In his continuing interest in portraits, Schadow differed from his colleagues. Following the example of Gottlieb Schick and similarly inspired by Raphael, Schadow developed a poetic style of portraiture. In 1819 he returned to Berlin in order to help Karl Friedrich Schinkel with the decoration of the Schauspielhaus. He took over the running of a studio and won a high degree of respect as a painter and teacher.
Jakob Mertens
Jakob Merten (August 11, 1809 - February 22, 1872) was a German Catholic theologian who was born in Wittlich. He studied theology in Trier, where in 1833 he received his ordination. Subsequently he became a chaplain in Trier, where he worked closely with Franz Peter Knoodt (1811-1889). From 1843 to 1868 he was a professor of philosophy at the Episcopal Seminary in Trier. Initially a prominent follower of Anton Genther's philosophy, Merten eventually abandoned Gentherianism as his career progressed. He was author of an essay on Gentherian philosophy titled Hauptfragen der Metaphysik in Verbindung mit der Speculation (Primary Questions of Metaphysics in Association with Speculation) (1840). Other noted works by Merten include: Grundriss der Metaphysik, (Outline of Metaphysics); 1848 Der selige Frings und sein Freund als Antigentherianer; 1852 Bemerkungen zur Metaphysik von Balmes, (Remarks on the Metaphysics of Balmes); 1859
Fernando Gallego
1466-1507 Spanish Fernando Gallego Galleries was a Spanish painter, his art is regarded as a gothic style. It is thought that he was born in Salamanca, Spain, an his first knowned works were in the cathedrals of Plasencia and Coria, in Caceres (Spain). His most famous knowned works are: The Retablo of San Ildefonso, in the Cathedral of Zamora The Sky of Salamanca, in the University of Salamanca. The retablo of Ciudad Rodrigo, now in the Tucson Museum, University of Arizona, USA. The Arcenillas panels, placed in Zamora. San Acacio and the 10,000 Martyrs, at the Meadows Museum. The last time that he was named in a document is in 1507, but we do not know the date of the death.